![]() ![]() ![]() The 9th adds some texture to the chord which can be a nice effect. This means an Eb Major triad with the 9th added in. In that case, the chord would be called Ebadd9. When playing ‘spread voicings’ – where the notes of the chord are spaced out 2 octaves or more – you will likely find the voicings sound ‘incomplete’ with just half of the notes and so my recommendation would be to practice very slowly but hands together.Īs you progress through the course you will become more comfortable playing hands together. Just copy the notes, even if right now the theory doesn’t make sense, the full understanding will come with time. You will find this very difficult to begin with, particularly with those altered dominant chords so don’t get too hung up on it. ![]() Try to make an effort to consciously analyse each note to identify the primary chord tones, extensions, and alterations if applicable. The most important thing is that you are analysing the scale degrees of the notes in relation to the underlying harmony. Yes bars 7 and 8 in the transcription are quite challenging… there’s three things going on there: sus chords, tritone substitution, and also altered dominant chords. ![]()
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